All those memories I can’t remember
Duration: 04:35
Σάββατο 24 & Κυριακή 25/10 | 11:00 π.μ. – 10.00 μ.μ. | @ Αθήνα στο Σεράφειο του Δήμου Αθηναίων | Είσοδος Ελεύθερη
A young woman struggles to remember a key memory of her grandmother
Behind-the-Scenes & Process Highlights:
This film was a personal journey more than just a creative project. From the very beginning, I knew I wanted this to be a space where I could push my boundaries as both a director and a photographer, and where I could fully embrace the artistic vulnerability that comes with experimenting. The process was messy at times but incredibly rewarding, and Mexico’s landscapes served as both a challenge and a blessing in helping me achieve my vision.
Setting the Stage – Why Mexico?
I wanted a location that could challenge my usual creative processes and force me to think differently. Mexico offered both the practical benefits of being affordable and the artistic allure of its unique and vibrant visual language. The country is so rich in culture, color, and texture that it became the perfect place to create a film that wasn’t bound by the traditional confines of my photographic style.
Solo Venture – Taking on Multiple Roles
At the start of the project, I decided to step into both the director’s chair and behind the camera as the film’s photographer. It was a gamble, knowing I had to juggle directing, cinematography, and managing a small team while dealing with language barriers, culture shock, and logistical hurdles in a foreign country. The decision was made out of necessity—there was no room for compromise in this personal exploration of my artistic voice. I wanted full creative control. Plus, being hands-on with every aspect of production allowed me to deeply engage with every creative choice from the ground up.
Looking back, I’m incredibly proud of how this project unfolded. Despite the challenges—language barriers, cultural differences, logistical nightmares—the film became something that resonated deeply with me. I’ve grown not only as a filmmaker but as an artist. I’m not claiming to have mastered my craft yet, but I’ve taken a big step towards finding my photographic voice, and this film is a testament to that journey. It may not be perfect, but it’s mine—flaws and all.
